Autumn Lab Pass

$135.00

Register for all three of this autumn’s Writing Labs and receive a $15 discount using our Autumn Lab Pass.

Sensory Deep Dive: A Nature Journal Lab with Kate Rutter

Surf the human umwelt*, connect with your unique personal qualia*, and expand your sensory vocabulary in this embodied observation session. In this Lab guided by Kate Rutter, we'll use Nature Journaling methods to observe, to explore, and to evoke the sensory nuance of a specific subject from nature, seeing it in fresh and novel ways through sound, smell, touch, and taste.

After a welcome and brief introduction, we'll have a series of guided prompts for exploring your chosen subject through multiple senses, followed by small-group sharing in breakout rooms. We'll wrap with a group Q&A, discussion, and closing circle. You'll leave with a deepened vocabulary for your own qualia and related images and free-writing prose. You'll also have the skills to apply these prompts and methods across a range of sensory experiences.

Please bring:

  • An edible item from nature, such as a piece of fruit or a veggie, a sprig of herbs, an edible plant. Something unprocessed and with a little complexity works best. Feel free to bring a particular nature or culture food that is meaningful to you and/or your work.

  • Pen or pencil

  • Blank paper or journal/notebook

  • Colored pencils or watercolors (or any color media you like to work with, such as markers, crayons, pastels...)

  • Printout of Lab Manual handout (sent prior to session)

  • A knife, cutting board, and napkin or cloth

* Umwelt: the world as it is experienced by a particular organism.

* Qualia: instances of subjective, conscious experience.

Thursday, November 20, 2025, 12-1:30 PM Central Time

Live online

Body, Senses & Sacredness in Ecological Poetics: A Writing Lab with Felicia Zamora

Our bodies are the first environment. What we know of the more-than-human world is through our body’s interpretations and translations. Ecological liberatory practice begins in the intimate, the specific, the localized, and the somatic. Understanding how you dwell with the earth arises from understanding the intricacies of what you hold sacred, your own sensuous entanglement, and listening as both a cognitive and bodily act. In this generative and sharing-focused workshop guided by Felicia Zamora, we’ll discuss giving oneself over to the more-than-human, to place, and to landscape. By looking at nano-excerpts from N. Scott Momaday, bell hooks, No‘u Revilla, Oliver Baez Bendorf, and Craig Santos Perez, we’ll prime our thinking on how to bodily commune with the more-than-human, the role surrender plays in our ecological writing and constructing ideas of sacredness.

Thursday, December 4, 2025, 12-1:30 PM Central Time

Live online

Healing Our Relationship with Water: A Writing Lab with 신 선 영 Sun Yung Shin

In Natalie Diaz’s poem “The First Water is the Body,” she asks, “Will we remember from where we’ve come? The water. // And once remembered, will we return to that first water, and in doing so return to ourselves, to each other? Do you think the water will forget what we have done, what we continue to do?” Water is primordial, and as we ourselves are mostly water, we carry the primordial with us; we are memory. Because we need water to live, what we do to water, we ultimately do to ourselves. In this generative workshop guided by 신 선 영 Sun Yung Shin, we will read watery poems and write from prompts designed to help us reconnect to and heal our relationship with water, with our communal body.

Thursday, December 18, 2025, 12-1:30 PM Central Time

Live online

Register for all three of this autumn’s Writing Labs and receive a $15 discount using our Autumn Lab Pass.

Sensory Deep Dive: A Nature Journal Lab with Kate Rutter

Surf the human umwelt*, connect with your unique personal qualia*, and expand your sensory vocabulary in this embodied observation session. In this Lab guided by Kate Rutter, we'll use Nature Journaling methods to observe, to explore, and to evoke the sensory nuance of a specific subject from nature, seeing it in fresh and novel ways through sound, smell, touch, and taste.

After a welcome and brief introduction, we'll have a series of guided prompts for exploring your chosen subject through multiple senses, followed by small-group sharing in breakout rooms. We'll wrap with a group Q&A, discussion, and closing circle. You'll leave with a deepened vocabulary for your own qualia and related images and free-writing prose. You'll also have the skills to apply these prompts and methods across a range of sensory experiences.

Please bring:

  • An edible item from nature, such as a piece of fruit or a veggie, a sprig of herbs, an edible plant. Something unprocessed and with a little complexity works best. Feel free to bring a particular nature or culture food that is meaningful to you and/or your work.

  • Pen or pencil

  • Blank paper or journal/notebook

  • Colored pencils or watercolors (or any color media you like to work with, such as markers, crayons, pastels...)

  • Printout of Lab Manual handout (sent prior to session)

  • A knife, cutting board, and napkin or cloth

* Umwelt: the world as it is experienced by a particular organism.

* Qualia: instances of subjective, conscious experience.

Thursday, November 20, 2025, 12-1:30 PM Central Time

Live online

Body, Senses & Sacredness in Ecological Poetics: A Writing Lab with Felicia Zamora

Our bodies are the first environment. What we know of the more-than-human world is through our body’s interpretations and translations. Ecological liberatory practice begins in the intimate, the specific, the localized, and the somatic. Understanding how you dwell with the earth arises from understanding the intricacies of what you hold sacred, your own sensuous entanglement, and listening as both a cognitive and bodily act. In this generative and sharing-focused workshop guided by Felicia Zamora, we’ll discuss giving oneself over to the more-than-human, to place, and to landscape. By looking at nano-excerpts from N. Scott Momaday, bell hooks, No‘u Revilla, Oliver Baez Bendorf, and Craig Santos Perez, we’ll prime our thinking on how to bodily commune with the more-than-human, the role surrender plays in our ecological writing and constructing ideas of sacredness.

Thursday, December 4, 2025, 12-1:30 PM Central Time

Live online

Healing Our Relationship with Water: A Writing Lab with 신 선 영 Sun Yung Shin

In Natalie Diaz’s poem “The First Water is the Body,” she asks, “Will we remember from where we’ve come? The water. // And once remembered, will we return to that first water, and in doing so return to ourselves, to each other? Do you think the water will forget what we have done, what we continue to do?” Water is primordial, and as we ourselves are mostly water, we carry the primordial with us; we are memory. Because we need water to live, what we do to water, we ultimately do to ourselves. In this generative workshop guided by 신 선 영 Sun Yung Shin, we will read watery poems and write from prompts designed to help us reconnect to and heal our relationship with water, with our communal body.

Thursday, December 18, 2025, 12-1:30 PM Central Time

Live online

Each lab is a live, participatory lab and it will not be recorded. A meeting link will be emailed a few days prior to the lab. Cancellations must be made 48 hours prior to the first lab and will be charged a $30 cancellation fee. This lab pass is valid only for the three Autumn labs listed in this description.

Kate Rutter is an avid nature journaler, sketchnoter, graphic facilitator, and designer who helps people make creative connections with nature through observation, curiosity, and wonder. A lifelong sketcher with an experimental and rambunctious visual practice, she creates visual explanations that make complex ideas simple, memorable, and shareable. Kate’s education work spans online teaching, corporate and nonprofit trainings and conferences, and nature journal workshops at public & private gardens and nurseries. Kate is a board member of the Wild Wonder Foundation and holds a B.A. in Studio Art from Wellesley College. She instas at @katerutter and blogs at www.intelleto.com.

Felicia Zamora is the author of eight books of poetry including, Murmuration Archives, Akrilica Series, Noemi Press (2026), Interstitial Archaeology, Wisconsin Poetry Series (2025), I Always Carry My Bones, winner of the 2020 Iowa Poetry Prize (2021) and the 2022 Ohioana Book Award in Poetry, Body of Render, Benjamin Saltman Award winner (2020), and Of Form & Gather, Andrés Montoya Poetry Prize winner (2017). She’s won the Loraine Williams Poetry Prize, C.P. Cavafy Prize, Wabash Prize, Tomaž Šalamun Prize, and two Ohio Arts Council Individual Excellence Awards (2024 & 2022). She has been supported by a Tin House Next Book Residency, Yaddo Residency, Ragdale Fellowship, and CantoMundo Fellowship. Her writing appears in Academy of American Poets Poem-A-Day, Alaska Quarterly Review, The American Poetry Review, Best American Poetry 2022, Boston Review, Brevity, Ecotone, The Georgia Review, Gulf Coast, The Iowa Review, The Kenyon Review, Lit Hub, The Missouri Review, Orion, Poetry Magazine, The Nation, and others. She is a poetry editor for Colorado Review, a contributing editor for West Branch, and an associate professor of poetry at the University of Cincinnati where she is a 2025-2026 Taft Research Center Fellow.

신 선 영 Sun Yung Shin was born in Seoul, Korea and was raised in the Chicago area. She is a poet, writer, and cultural worker. Shin is the author of the poetry collections Six Tones of Water (Ricochet Editions), The Wet Hex (Coffee House Press, 2022); Unbearable Splendor (Coffee House Press, 2016), winner of the 2016 Minnesota Book Award for poetry and finalist for the 2017 PEN USA Literary Award for Poetry; Rough, and Savage (Coffee House Press, 2012); and Skirt Full of Black (Coffee House Press, 2007), winner of the 2007 Asian American Literary Award for poetry. Her debut memoir Heart Eater: A Memoir of Immigration, Belonging, and How We Find Ourselves in Language is forthcoming with Black Lawrence Press in 2026.